Rythemovieguy's Rating: A-
If this movie had parents they would be: Dances with Wolves & The Matrix
With a run time of 162 minutes
this film is rated PG-13
Fantastic Mr. Fox: Thank you Wes Anderson for this great cussing movie! The film is adapted from Roald Dahl's 1970 children's book and is voiced by George Clooney, Meryl Streep, and Bill Murray. It is the kind of movie you will watch with a smile on your face from start to finish. This is because of the whimsical world Anderson creates on screen by using witty dialogue and stop-motion animation, not to mention how much this world mirrors human life. For example, Mr. Fox and his family buy a new property in a tree which is to say they are moving from a garden apartment (a hole in the ground) into a new condo that has spectacular views. Eventually Mr. Fox realizes that he needs danger in his life to be happy, so he concocts a plan to rob three farmers. This angers the farmers who in turn make it their mission to kill Mr. Fox. From there more silliness and humor ensues. The show stealer may just be Jason Schwartzman who voices Ash, Mr. Fox's son who is....well.....different. Wes Anderson fans will love this latest effort as will kids who will enjoy the movie on a different level. Charming, funny.......just cussing FANTASTIC!
A Serious Man: The Coen Brothers' latest effort focuses on a Midwestern Jewish man who is on the verge of a breakdown. Larry Gopnik is a married man and the father of two who sees his life unravel from just about every angle. For starters, his wife asks him for a divorce so that she can marry a friend of the family who is a recent widower. His 12-year-old son's main hobbies are getting high and listening to Jefferson Airplane. Meanwhile, he is up for tenure at the school he teaches at, but even that seems like it is about to become a disaster. Larry looks to his faith for answers on why all of this is happening, but he is having trouble finding an answer. If we have learned anything about the Coen Brothers throughout the years, it is that they are masters at creating and showcasing unique perspectives on distinctive characters. A Serious Man is no exception, the characters are so well written that humor pours out of their smallest actions. However, because the film plays so heavily on Jewish heritage I found myself missing out on a lot of that humor. In fact, at times I felt like an outsider looking in at the party. The film also features a serious side that tackles both morals and faith, but that failed to have enough substance and as a result did not work for me. In the Coen Brothers' filmography this would land somewhere in the middle............I'm serious.
9: Gorgeous animation wasted on a sub-par story! The opening scenes set the right tone while showing this film's huge potential. Our main character, a sock puppet named 9 awakens for the first time in a world that has been decimated by war. Those who fought in the war and why is unknown. As 9 discovers the world around him, he slowly uncovers clues as to what caused this mass destruction and wiped out all of mankind. He also encounters other puppets roaming the desolate landscape, each of them made by the same maker and each of them numbered like him. The leader of the puppets is number 1. He believes that they should stay in hiding until all is quite as they know that there is an evil machine roaming around the land that kills anything that moves. The detailed animation is simply amazing and draws you into this strange world. Unfortunately, the film veers from the eerie discovery theme and chooses to focus on big action sequences. This is a terrible mistake as all of the action takes away from the unique feel of the film. I would have preferred to spend more time with the characters adventuring through different environments revealing clues from the past. Eventually we do get a full explanation as to what caused the war and this too can be noted in the disappointment column. It is a story with themes that we have seen more than once before including the destruction of mankind and man vs. machine. The story is not complex enough and that in turn explains why they chose to fill so much time with loud action sequences. In the end, the lesson we learn from 9 is that above all a movie needs a compelling story in order for all of the eye candy to mean anything.
District 9: Once in a great while a movie comes around that is so original and so different, that it is hard to categorize. District 9 is one of those movies. It breathes much needed fresh air into the Sci-Fi/Alien genre. The movie opens with a documentary type of feel, with many experts from various fields catching us up on what has transpired over the past two decades. Twenty years ago a huge alien spacecraft came to a haulting stop hovering over the city of Johannesburg, South Africa. Instead of the typical "destroy the earth" scenario, the ship just hovered there with absolutely no activity taking place. Three months went by and finally humans decided to cut into the ship to see if they could make contact. What they discovered on the inoperable ship was a million malnourished and sick aliens. They decided to bring the aliens down to Earth and put them into a militarized camp named District 9. From here the film uses the unusual scenario to comment on everything from racism, slavery, concentration camps, slums, military experiments, and so forth. Our main character is a man by the name of Wikus who is in charge of moving the now 1.8 million aliens (known as prawns) to a new camp located outside of the city. This is thought to help clean up the city from all the crime happening in and around District 9. While Wikus is inside the District he becomes exposed to an alien fluid which changes his DNA. It was so refreshing to sit in the theater and have no idea where the story was going to lead. I will say there is plenty of action, some disgusting moments, and even a love story thrown in as the movie reaches its climax. As for the look of the film - the prawns look very realistic as does their interaction within the environment. It only takes about 20 minutes to get past the weird aspect of aliens and humans living together. It then becomes "Harry and the Hendersons" believable. The end result is a very original and a very entertaining film. In fact, it is one of the best Sci-Fi films that I have seen in a long time!!
Harry Potter and the Half-Blood Prince: This is the darkest, most mature Potter film that we have ever seen. At the same time it also manages to be the funniest film of the series. The gang is back for their sixth year at the Hogwarts School of Witchcraft & Wizardry - all of them another year older, all of them entering adolescence. The innocent feelings of first love supply a lot of the humor. More importantly, these feelings cast an emotional shadow on the characters that was not prevalent in the past. This helps us relate to them on a new level. Each Potter film seems to hit the jackpot when it comes to introducing a new character to the series. Professor Slughorn played by the brilliant Jim Broadbent is no exception. In fact, I would say he steals the screen for the first two-thirds of the movie. The special effects that bring this magical world to life are done so effortlessly, that in a way, you don't even notice them. From start to finish, the movie is just beautiful to look at. The one thing that hinders this chapter is that the storyline is primarily used to "set-up" the final film. Although Harry, Ron, and Hermione spend plenty of time together, the final quest of the movie detours from the series theme of "teamwork" and focuses only on Harry (and Dumbledore). This final quest also seemed to just pop-up and did not relate enough to the rest of the movie. Ultimately, the film does succeed with its goal - anticipation for movie # 7 - I can't wait!!!
Angels & Demons: Ron Howard and Tom Hanks bring their second Dan Brown offering to the big screen. It pains me to say this, but they struck out again. I actually think the mediocre Da Vinci Code was a better effort. Angels & Demons feels rushed, insincere, and fails to capture one of the significant themes from the book - religion vs. science. The screenplay actually varies quite a lot from the novel, which should have given them more time to properly pace the movie, but it failed to do so. Code and Demons are both tough novels to translate onto film as so much of the action and discovery is done in the hero’s mind. The hero again is Robert Langdon (Hanks). He is summoned by the Vatican police to help solve a grave threat that has been made by the ancient secret group – the Illuminati. The Vatican is in conclave (electing a new pope) when four cardinals are kidnapped. The Illuminati say that they will execute each cardinal every hour at a different church in Rome. The fifth hour will bring mass destruction to Rome by means of a hidden bomb. The bomb is actually a droplet of “antimatter” which was created by scientists at CERN – thus making it a war between science and religion (this theme is barely touched on). Can Langdon figure out which churches the cardinals will be taken to and can he save them before they meet their maker? His only lead is a 400 year old poem by Galileo. From there, he must follow clues that take him across Rome, but time is not on his side. Not nearly as suspenseful as it should have been…..not as smart as it should have been….just not as good as it should have been.
The Reader: After hearing that The Reader made its way to the big dance at the Academy Awards (nominated for best picture and 5 other awards), I put it at the top of my must see list. The story takes place in post World War II Germany and spans over 25 years. It is told during three different time periods. We begin in the late 1950’s when a teenage Michael Berg begins to have an affair with Hanna Schmitz (Kate Winslet), a woman who is twice his age. The affair lasts for a summer and while Hanna is older and not as emotionally attached, young Michael falls deeply in love. Besides an abundance of nudity, this section of the film also reveals that Hanna loves being read to. When Hanna picks up and leaves, Michael figures he will never see her again. We then jump ahead about 10 years with Michael now a law student who sits in on a Nazi war trial against several women. One of the women being accused is Hanna Schmitz. The third time period in the story takes place in the 1980’s with an older Michael (Ralph Fiennes) who is still in contact with Hanna. The movie has a unique viewpoint of the Holocaust and contains a potent love story. However, the finale actually came across as a little clunky on screen. Winslet’s performance while good was not even her best of the year (see Revolutionary Road). So in closing, while I found the story to be very captivating I still would not have had this in my “best of the year category”. I would have preferred to see The Dark Knight or even Revolutionary Road get a nod in lieu of The Reader.
ite the lines in unison. It is bad enough having to sit through a trailer for “Bride Wars”, but having to do it three weekends in a row is just brutal. Luckily, I always have someone next to me to roll my eyes with when the trailer for Last Chance Harvey pops up for the 7th time – Jen? (Jen's list is included as well)
Revolutionary Road: Leonardo DiCaprio and Kate Winslet reunite for the 1st time since the Titanic sailed into theaters 10 years ago. The two movies could not be any more different. Revolutionary Road is a drama driven by the intense dialogue hurled out by the two leads with a special effect shot nowhere to be seen in the 2 hour runtime. Frank (DiCaprio) & April (Winslet) are a young married couple living in suburbia with their two children. They begin to feel as if their lives have become formulated and uninteresting so they look for a change - a change of scenery, a new job, a new way of life (they decide on all three). At the heart of the film is the question - “what should we be doing with our lives?” Why does it seem that so many people fall into the same rut of working at a job that they don't like to afford things that they really do not need? For one, to support their family, but many forget during that journey what it is that they truly set out to discover in life. Just before Frank & April are to leave suburban life behind for Paris, April discovers she is pregnant with their 3rd child. This causes Frank to have second thoughts about their decision to start a new life. The acting by both DiCaprio (he should at least see an Oscar nomination for this) and Winslet is phenomenal and it actually has to be at that level for the film to have any weight at all. Through their on-screen arguments they carry the ideals of the story. This movie is certainly not for everyone and I can see some people brushing off the dreams that the characters have as “crazy notions of an unhappily married couple.” However, it worked for me as I believed their story and their feelings. This is one of the year’s best!
Doubt: Meryl Streep plays a strict nun and Philip Seymour Hoffman plays an unconventional priest, I doubt you can find two better actors for such roles. The story is set in the 1960’s when child molestation scandals within the Catholic Church were not as prevalent as they are today. The period when the film is set works in favor of the story for this reason. The scandal remains within the school walls and only involves the priest, two nuns, the boy, and the boy’s mother. The acting by Streep and Hoffman creates some tense moments, but I would have actually liked to see a few more of those moments. The script was adopted from a stage play and it is easy to see how well this would work in the theater. The film tries hard to create the Catholic school atmosphere and I thought that this is where it succeeded the most! Amy Adams plays the nice, naive nun. She is perfect in contrast to Streep’s character who is at the center of the accusations. Since there is never any hard evidence to convict or reprieve the priest, the premise is one of belief and doubt, religion and faith - making this a great film to discuss with friends. This is a well executed film with great acting…however, I think the story would work better as an intimate play than as a motion picture.